Is around 1980 when the term "Visual Arts" begins to dominate the vocabulary, it is more appropriate for contemporary art that the term "Fine Arts". In the visual arts understands that each of the disciplines, whether drawing, printmaking, sculpture, painting or photography, is a closed in itself, with its methods and well defined borders. Instead, the art from the second half of S. XX on, offers a wide interaction, in principle this is done by integrating painting and sculpture, other resources and different languages, such as sound, writing, moving pictures, etc. . This naturally generates a large number of possible ways of making art, as the production and classification criteria are more open and integrated . . The animation is one technique to give the illusion of motion pictures or drawings. To do animation drawing books there are numerous techniques that go beyond the cartoon family. The tables can be generated by drawing, painting, or photographing the tiny changes made repeatedly to a model of reality or a virtual three-dimensional model, it is also possible to animate real objects and actors . . This is the title of Martha Rosler presents exhibition until 12 April at the Centro de Arte José Guerrero of Granada [Ah great!]. It is the . . An animation drawing books is a complex technique to create a credible illusion through images usually reinforced with sound. The early work of animation drawing books that is made in the learning process shown macadam robotic and devoid of expression. Improvements based on the classical principles of animation drawing books bring credibility to the characters and scenes. The twelve principles of animation drawing books traditional references establish a world of animation drawing books that ensure brand credibility plasticity [1] of the characters. These are [2]. Additionally, incorporating new principles to reflect the needs of animation drawing books techniques and emerging methods. The 12 principles were born with production experience in cartoons. Incorporating computer animation force largely these new structures. The most important animation Is Called Principle squash and stretch. When an object moves, ITS Movement Indicates the Rigidity of the object. [1] Many real world objects Have little flexibilty s, such as furniture, organic objects MOST pero Have Some level of Flexibility in Their shape. (More). Deform an object. body or face of a character drama or humor can bring an action. A coup, a change in speed or direction of an object, a tense situation (shock) etc, can be emphasized with an effect that transforms the shape of objects accompanying the action. It can serve as an expressive, to gesture with extremely simple and "humanize" characters. An inanimate object reaches its own personality, a part grows into a whole as in the following example in which one eye has "its own life. " The force that takes the character and dramatic action is fused with a humor (black in this case) in which the "distortion" is the star. Unless otherwise indicated, all content on this page are unionized under a Creative Commons license. You can use and modify, if not done for commercial purposes and will cite the author. . . .